What to Include on Your Music Promotion Website
by: Ty Cohen
One of the powerful tools you can have as when attempting independent music promotion is a website. This is a given. There is absolutely no excuse for a musician, in this day and age, to not have a website. Your website is how you will reach the world. This is how you will market yourself to every single person you come in contact with. The internet and your website will be two of the most powerful music promotion resources you will have.
If you are sold on the idea of online music promotion and are ready to start your site but don’t know what to include, then you have come to the right place. It is crucial that you properly design your site and include all the correct information. You want to be as creative and stylish as possible, all the while staying true to who you are and what your music is about.
Other independent artists are making a killer living online selling their music and merchandise and so should you. independent music promotion on your website will be best achieved if all the right information is displayed. Your online music promotion success depends on it.
First, you need to add all of your contact information onto your site. This includes all phone numbers, email addresses, mailing address etc…In addition to this, you are going to need a bio of you or your band. Remember, with independent music promotion, you have no one else to rely on so try to be as thorough as possible.
Do you have any press releases, reviews or customer testimonials? If you do, incorporate these. It will let your future fans know that you presently have happy, committed fans. And of course you are going to need an upcoming schedule of some sort so your fans know where to go to hear you.
One of the most powerful music promotion resources you can acquire is an email list. With this list you can keep your fans up to date on the latest news and happenings with you or your band.
Lastly, you have your sounds and sights. Post some photos or video clips from live events. Action photos are always great so if you don’t have some, get some. Include downloadable sound clips from your CDs, this will entice folks to want more. And the best part, place your CDs, MP3 tunes and merchandise for sale! Incorporate all of the above things into your site and you will no doubt be an online music promotion success.
About the Author:
Ty Cohen, the online music industry's most recognizable voice is the former owner of a successful independent record label, current owner of Platinum Millennium publishing and nation-wide music industry seminar speaker and panelist. He is also the author and creator of over 40 best-selling music business books, reports, courses, audio products and other music industry "How to" resources, that have helped tens of thousands of individuals like you to successfully find their way in the music business. Visit: http://www.musiccontracts101.com/cmd.php?Clk=3779546 for more information on online music promotion, music promotion resources and independent music promotion.
Tuesday, June 15, 2010
Recording Contracts Can Be Confusing
By: Ty Cohen
Over the next few minutes, we are going to review three important areas that you might find covered in recording contracts. Recording contracts can be quite overwhelming, especially if you have had no experience with them. You will find that they are lengthy and extremely detailed. They cover many areas and these are just to name a few, the word record, term and option.
The actual word “record” in the music business has many meanings in relation to music contracts. It covers any audio recording device such as CDs, cassettes, vinyl records and any audiovisual devices like laser discs and videocassettes. Fortunately, all new technology that comes out on the market should be included under this definition as well.
Then you are going to have your options. Options are defined as rights granted to the company to buy your albums and produce within a certain timeframe. Options, as with most aspects of recording contracts are irreversible from your side of the deal. But unfortunately, the record label is not required to use them.
This basically keeps you with this company for as long as they want you to be there and truthfully that is only as long as you are successful. If you are successful then the company will continue to exercise those options. If you are unsuccessful, the label will then allow the music business contract to expire.
Lastly, you have your term of contract which refers to the length. This is not typically measured in years in the industry. Instead, term is measured by album production periods. This way, the contract remains valid until the final album is completed. Let’s say your commitment album is the first one in your recording contract and then you have four to five additional options and then your final. This means you will be with the label until the last record is complete, if they are satisfied with your work.
If for some reason the company isn’t satisfied, then your music contract could be up after the first album. This seems unfortunate for the artist but business is business, especially when is comes to music business contracts and the music biz. Also, keep in mind that some contracts require records to be recorded and released within certain time frames or you could be released from your music contract for being late. Recording contracts are some artist’s dream but always keep in mind that the music biz requires hard work and absolute dedication.
About the Author:
Ty Cohen, the online music industry's most recognizable voice is the former owner of a successful independent record label, current owner of Platinum Millennium publishing and nation-wide music industry seminar speaker and panelist. He is also the author and creator of over 40 best-selling music business books, reports, courses, audio products and other music industry "How to" resources, that have helped tens of thousands of individuals like you to successfully find their way in the music business. Visit http://www.musiccontracts101.com/cmd.php?Clk=3777508 for more information on music contracts, recording contracts & music business contracts.
By: Ty Cohen
Over the next few minutes, we are going to review three important areas that you might find covered in recording contracts. Recording contracts can be quite overwhelming, especially if you have had no experience with them. You will find that they are lengthy and extremely detailed. They cover many areas and these are just to name a few, the word record, term and option.
The actual word “record” in the music business has many meanings in relation to music contracts. It covers any audio recording device such as CDs, cassettes, vinyl records and any audiovisual devices like laser discs and videocassettes. Fortunately, all new technology that comes out on the market should be included under this definition as well.
Then you are going to have your options. Options are defined as rights granted to the company to buy your albums and produce within a certain timeframe. Options, as with most aspects of recording contracts are irreversible from your side of the deal. But unfortunately, the record label is not required to use them.
This basically keeps you with this company for as long as they want you to be there and truthfully that is only as long as you are successful. If you are successful then the company will continue to exercise those options. If you are unsuccessful, the label will then allow the music business contract to expire.
Lastly, you have your term of contract which refers to the length. This is not typically measured in years in the industry. Instead, term is measured by album production periods. This way, the contract remains valid until the final album is completed. Let’s say your commitment album is the first one in your recording contract and then you have four to five additional options and then your final. This means you will be with the label until the last record is complete, if they are satisfied with your work.
If for some reason the company isn’t satisfied, then your music contract could be up after the first album. This seems unfortunate for the artist but business is business, especially when is comes to music business contracts and the music biz. Also, keep in mind that some contracts require records to be recorded and released within certain time frames or you could be released from your music contract for being late. Recording contracts are some artist’s dream but always keep in mind that the music biz requires hard work and absolute dedication.
About the Author:
Ty Cohen, the online music industry's most recognizable voice is the former owner of a successful independent record label, current owner of Platinum Millennium publishing and nation-wide music industry seminar speaker and panelist. He is also the author and creator of over 40 best-selling music business books, reports, courses, audio products and other music industry "How to" resources, that have helped tens of thousands of individuals like you to successfully find their way in the music business. Visit http://www.musiccontracts101.com/cmd.php?Clk=3777508 for more information on music contracts, recording contracts & music business contracts.
Music Contracts & Royalties Defined
By: Ty Cohen
Artists often wonder how their royalties are going to be computed when they sign music contracts. This is truly an important question because basically determines how much money is going to end up in their pockets. Recording contracts are meticulous and somewhat confusing so I will try to explain royalties to you as simple as possible.
A band or artist’s royalties are totaled as a percentage of the “suggested retail list price” for the total number of records sold. A general percentage that most artists will find in their music business contracts is anywhere from 7% to 16%. This will obviously depend on who you are and what the expectations are for your record sales.
Remember, royalties are the only place you are going to make your money but it is an important part of your contract. Royalty is expressed either as a percentage, a point or in escalations. Escalations suggest that you get a flat rate for up to a certain amount sold. Then your rate would go up if you sell over and above the first amount.
Depending on the company you have the music contract with, you may find that your royalties could include a packaging deduction or not include one. If it does not include one then you may find that the royalty price is reduced and then your royalties will be calculated. This is why it is vital that you read and re-read your music business contract before you sign so you completely understand.
Keep in mind that there may be a producer’s royalty that you are entitled to take care of from your own royalties. So, let’s say you had a royalty of 13% and the producer’s royalty was 2%, you would only receive 11%.
Other than these industry standard deductions, you may see deductions for free goods that might go to wholesalers meaning your wouldn’t receive royalities for these records. Also, promotional records such as those sent to radio stations are not included as well.
Keep in mind your royalty account can be charged for any item that is included in signed recording contracts. This is why it can’t be stressed enough that you need to understand every detail of what you sign because it may not be a dream come true after all. So, be careful, don’t be afraid to ask questions and don’t be afraid to seek the help of a professional.
About the Author:
Ty Cohen, the online music industry's most recognizable voice is the former owner of a successful independent record label, current owner of Platinum Millennium publishing and nation-wide music industry seminar speaker and panelist. He is also the author and creator of over 40 best-selling music business books, reports, courses, audio products and other music industry "How to" resources, that have helped tens of thousands of individuals like you to successfully find their way in the music business. Visit http://www.musiccontracts101.com/cmd.php?Clk=3777507/ for more information on music contracts, recording contracts & music business contracts.
By: Ty Cohen
Artists often wonder how their royalties are going to be computed when they sign music contracts. This is truly an important question because basically determines how much money is going to end up in their pockets. Recording contracts are meticulous and somewhat confusing so I will try to explain royalties to you as simple as possible.
A band or artist’s royalties are totaled as a percentage of the “suggested retail list price” for the total number of records sold. A general percentage that most artists will find in their music business contracts is anywhere from 7% to 16%. This will obviously depend on who you are and what the expectations are for your record sales.
Remember, royalties are the only place you are going to make your money but it is an important part of your contract. Royalty is expressed either as a percentage, a point or in escalations. Escalations suggest that you get a flat rate for up to a certain amount sold. Then your rate would go up if you sell over and above the first amount.
Depending on the company you have the music contract with, you may find that your royalties could include a packaging deduction or not include one. If it does not include one then you may find that the royalty price is reduced and then your royalties will be calculated. This is why it is vital that you read and re-read your music business contract before you sign so you completely understand.
Keep in mind that there may be a producer’s royalty that you are entitled to take care of from your own royalties. So, let’s say you had a royalty of 13% and the producer’s royalty was 2%, you would only receive 11%.
Other than these industry standard deductions, you may see deductions for free goods that might go to wholesalers meaning your wouldn’t receive royalities for these records. Also, promotional records such as those sent to radio stations are not included as well.
Keep in mind your royalty account can be charged for any item that is included in signed recording contracts. This is why it can’t be stressed enough that you need to understand every detail of what you sign because it may not be a dream come true after all. So, be careful, don’t be afraid to ask questions and don’t be afraid to seek the help of a professional.
About the Author:
Ty Cohen, the online music industry's most recognizable voice is the former owner of a successful independent record label, current owner of Platinum Millennium publishing and nation-wide music industry seminar speaker and panelist. He is also the author and creator of over 40 best-selling music business books, reports, courses, audio products and other music industry "How to" resources, that have helped tens of thousands of individuals like you to successfully find their way in the music business. Visit http://www.musiccontracts101.com/cmd.php?Clk=3777507/ for more information on music contracts, recording contracts & music business contracts.
Sunday, March 28, 2010
Thursday, March 11, 2010
Busy Bee
Man I have been on my grind...did a slide show to one of our song "I See the Light" it's on youtube. I'll have to post that when I get a chance. As you can see started working on T-Shirts for those that want to support the cause. I started with the Official Noog T-shirt! Cop one of those. More designs to come. Always working on new beats and songs. Should be hitting the studio in another week. This weekend I'm going to celebrate my birthday. Always looking for colabs! Hit me up at Scrufacemusic@gmail.com or TheEyekkonites@gmail.com We stay grinding look for some solo work from Hawk Spit in the very near future. Always check http://www.rocbattle.com/scruface music for new battles and beats from yours truly. We going in!!
Tuesday, December 15, 2009
Monday, December 14, 2009
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